• About

    Like you I am a lover of wine. I developed my interest in wine in university when my friends would host wine and cheese parties, which were not only fun because of the new people I met but also because of all of the different types of wine I was exposed to. Read more...

    Free Newsletter!

    Here’s A Taste Of What You'll Get By Subscribing:

    - 7 common sense winemaking tricks

    - MONEY SAVING ideas

    - Filtering do's & don'ts

    - FRUIT WINE suggestions

    - Wine TASTING ideas

    It's completely FREE, and you may unsubscribe at any time ..

    First Name:
    Email Address:

    Subscribe

    Contact

    • Boiling The Juice
    • Adding Cherry Pulp To The Straining Bag
    • Adding Cherry Pulp To The Straining Bag
    • Cherry Pulp
    • Pouring The Cherry Juice
    • Cherry Juice From The Press
    • Scott Pressing The Cherries
    • Scott Pressing The Cherries
    • Adding The Press Blocks
  • Recent Posts

  • Categories

  • Recent Comments

  • Join "The Cherry Wine Project" Today!

  • Join My Communities

  • My Twitter Feed

  • From The Blogsphere

  • Archive for the ‘Red Wine’ Category

    Blending Homemade Wine – The Keys To Creating A Truly Unique Wine You Can Call Your Own

    Saturday, August 9th, 2008

    If you're new here, you may want to subscribe to my RSS feed. Thanks for visiting!

    The home wine makers may want to blend wines in order to improve the taste of a particular wine. This is different than commercial wineries that blend wines in order to create consistency in the wines that they sell.

    To be able to calculate how to properly blend wines, it is recommended that the home winemaker use the Pearson Square because it is a visual math tool that can help determine values when blending wines and it is a tool that anyone can use.

    Pearson’s Square:

    Acidity Level

    Desired Level

    Parts

    Wine A

    A (1.2)

    D (0.4)

    Desired Wine (Wine C)

    C (0.8)

    Wine B

    B (0.5)

    E (0.3)

    Let us look at an example of using this simple application. Let us say that you have two wines, and one has an acid level of 1.2 and the other is 0.5. Let us say further that you want the end acid result to be .8. The top left corner (A) and the bottom left corner (B) represent the acid level of the two wines you are trying to blend. The center number in the square (C) is the desired acid level. The two numbers on the right are numbers that you calculate. Square D (0.4) is the difference between square A (1.2) and square C (0.8); in addition, the square E (0.3) is the difference between square B (0.5) and square C (0.8).

    You now have the numbers 0.4 and 0.3. This creates a 4 to 3 ratio of the wines. When you blend these two wines, you will use four parts of the first wine for every three parts of the second wine in order to get an acid level of 0.8. This simple calculation is already taking you down the road of creating the blended wine that you desire.

    There are certain rules that should be followed when attempting to blend two wines:

    • Blend two wines at a time in small quantities. Make sure you write down the results.
    • Filter the wine after you blend.
    • Spit don’t swallow when testing.
    • Blend two similar wines of the same year.
    • Wait a day before blending large quantities and retest your final formula.
    • Test with the end product in mind. What is it you want to improve?
    • Need some inspiration? Go to your local wine store and see what commercial wineries have blended.

    If you follow these simple ways you should be able to make your own wine blend with fantastic results.

    Interested In Learning More?

    Here are some great resources I have found online that you should consider having a look at:

    Scott “The Wine Making Guy”

    Rate this:
    2.5

    From The Globe and Mail: “Wine by the glass? I’ll pass”

    Wednesday, July 30th, 2008

    As a fellow wine maker you obviously appreciate a good glass of wine. I’m also assuming that when you go out for dinner you sometimes order a glass or bottle of commercial wine.

    If this is you then read on as below is a very interesting article that my wife Michelle showed me in today’s Globe and Mail regarding why buying just a glass of wine at a restaurant is a VERY bad idea plus a novel new gizmo that helps prevent wine from spoiling.

    Enjoy!

    - Scott “The Wine Making Guy”

    +-+-+-+

    The original article can be found at:

    www.TheGlobeandMail.com

    Wine by the glass? I’ll pass

    From Wednesday’s Globe and Mail

    There are people who wisely eschew certain menu items when forced to dine in questionable restaurants. Sushi and steak tartare, for example.

    Me, I avoid wines by the glass.

    Once uncorked, a bottle of wine boards the bullet train to vinegarville. Basically, it is as perishable as a piece of raw fish or meat, freshness-wise, if not as dangerous. But you wouldn’t know it by how some restaurants and bars treat their wine, especially in summer, when elevated room temperatures can accelerate the chemical reactions that precipitate its decline.

    Curiously, even a restaurant or bar that would not dream of serving day-old buns or rancid bar nuts will generally be happy to sell you stale wine - at a premium to the cost of fresher juice sold by the bottle.

    The risk to unsuspecting drinkers is especially acute early in the evening, when half-empty bottles from the previous day’s service are circulated for a second go-round, just like Saturday’s unsold salmon repurposed as Monday’s fish cakes (and shrewdly accompanied by a strong tartar sauce to mask any odours).

    Who, after all, is going to complain?

    It is fair to say your average chardonnay sipper isn’t completely equipped, or temperamentally predisposed, to assess whether a bland wine was in fact bottled that way or owes its mediocrity to negligent handling. Most restaurant critics would be clueless, too.

    By now many wine aficionados know red wine is generally served too warm. Standard summer room temperature of about 24 degrees amplifies astringent tannins and exacerbates volatile alcohol, causing some wines to taste overly bitter and medicinal. At least when you order a full bottle, as opposed to a glass, you can ask for an ice bucket.

    But heat per se is not the only problem. Higher temperatures promote chemical reactions, including wine’s dreaded foe, oxidation.

    When exposed to oxygen, wine’s fragile flavours distort in all sorts of ways. Lively whites will inevitably become flat. After a few days, they may develop “maderized” flavours, the salty-tang quality curiously considered a virtue when intentionally induced in fortified wines such as Madeira and sherry.

    More insidious, wines will lose aromatic intensity. A grassy New Zealand sauvignon blanc may simply become less grassy. Unless you’re familiar with the brand, you may conclude the wine was never particularly flavourful. (Hey, if you’d wanted a white wine with no flavour, you’d have ordered a pinot grigio.)

    Many tannic reds such as expensive Bordeaux can actually benefit from oxygen in the short term (say, a couple of hours). This can coax out certain aromatic qualities and fruit flavours. But most easy-drinking reds sold by the glass get nasty quickly once opened, developing a flat, prune-like character.

    So much for the caveats. Even as the heat of July underscores the by-the-glass booby trap, things this summer appear to be looking up. A growing number of exacting restaurants are turning to fancy new technology to combat the oxidation problem.

    One such establishment is Reds Bistro & Wine Bar in Toronto’s financial district. Already known for one of the largest by-the-glass selections in the country (typically between 70 and 80), Reds several weeks ago added eight more superpremium selections, all dispensed by a machine called an Enomatic wine serving system. Or, as its Canadian distributor in Montreal, Stéphane Fournier, calls it, an “electronic wine bar.”

    Invented in Italy in 2002 by two Tuscan entrepreneurs, it is designed to guard against the slightest degree of spoilage. The system works by automatically filling the airspace above the fluid in the bottle with a blanket of inert gas (argon or nitrogen, depending on local availability). Enomatic boasts it will keep wines like new for more than three weeks.

    Installed in about 5,000 locations around the world, including almost 100 in Canada, the system works with a prepaid electronic debit card that the customer typically buys at the cashier, inserting it into the machine and selecting one-, two- or five-ounce pours. Because of killjoy Ontario restrictions against self-service, at Reds the card is duly guarded by the bartender, who does the swiping for you.

    “It’s really exciting and it’s a great conversation piece,” Taylor Thompson, the sommelier at Reds, told me over a fresh pour of Etude pinot noir from California. The system was not entirely new to me; I had put an Enomatic through its paces last year at the wine superstore Lavinia in Paris. Fun isn’t the word; it was like a slot machine for hedonists, with a constant payout of little sips of wine that you might never risk buying by the bottle.

    The Reds system is on loan from Foster’s Wine Estates Canada, which saw an opportunity to promote its luxury wines to people afraid to take a chance on a full bottle. The Enomatic wines on offer at Reds include the rare Penfolds Grange Shiraz 2000 ($100 for a five-ounce glass), Beringer Howell Mountain Merlot 2000 ($65 a glass) and Château St. Jean Cinq Cépages 2001 ($75 a glass).

    Mr. Thompson says more than a few patrons have opted for one-ounce pours (at $23 in the case of Grange) as a way to test drive wines they had been considering by the bottle. “People also can try wines that they may be aging in their own cellar,” he said.

    Ontario restrictions notwithstanding, Enomatic systems, ranging from $4,000 for a bare-bones four-bottle unit to $18,000 for a dual-temperature eight-bottle model, have been set up in select stores in most provinces from Newfoundland to British Columbia, including eight in Quebec. There is no danger of customers getting blotto, Mr. Fournier says. “It’s all software driven. We can lock a card by the amount of millilitres it serves a person per hour. It’s even a better lock than a barman.”

    The system, encased in handsome stainless steel and glass, is also finding its way into private homes. Mr. Fournier says several collectors in Canada have bought Enomatics as a new way to enjoy expensive wines gathering dust in their cellars. One customer in Montreal installed an eight-bottle system in his living room.

    “It’s always a question of, ‘When am I going to open that special bottle?’ ” he said. “With this machine, now you have a month to discover it.”

    ***

    Tips for ordering by the glass

    Beware of tiny restaurants with a huge by-the-glass list. “If the dining room does 60 covers a night, then 40 wines by the glass probably doesn’t work,” says Ingo Grady, director of wine education at Mission Hill Family Estate winery in British Columbia.

    If you are among the first to arrive at a restaurant in the evening, ask the server if he or she minds opening a fresh bottle rather than pouring the previous night’s dregs. Be nice when you do this.

    Don’t be afraid to ask the barkeep or waiter for a tiny sip. Some restaurateurs resent this, but wines by the glass usually cost a premium, so you’ve already paid for the extra sip.

    Much as you love to show off your knowledge of underappreciated grapes, try to stick with popular varieties, such as chardonnay or merlot. Odds are that bottle of Austrian zweigelt on the counter was uncorked during the Reagan era and has been oxidizing ever since.

    White wine is often a better bet than red. Cold fridge temperatures slow down the oxidation process.

    When it comes to red wines, stick with full-bodied tannic styles such as cabernet sauvignon and syrah. Lighter-bodied varieties such as pinot noir are superfragile and decline more rapidly with exposure to air.

    Beware of by-the-glass bubbly. A half-empty bottle will become unpalatably flat within a day. Beppi Crosariol

    Rate this:
    2.5

    How To Make Wine: Easiest Way To Sink A Grape Skin Bag

    Sunday, May 25th, 2008

    When you Rate this:

    2.5

    Prawn Wine Anyone? Proof That You Can Make Wine Out Of Just About Anything!

    Wednesday, January 23rd, 2008

    One of the things I love about helping people with their wine making is hearing about all of the crazy things people make wine out of! I guess I’m a “traditionalist” though as I typically make wine from wine kits and fresh fruit.

    For example, I currently have the following wine kits from Winexperts on the go:

    1. Piesporter (Vintner’s Reserve)
    2. Pinot Noir (Vintner’s Reserve)
    3. Napa Valley Stag’s Leap District Merlot (Estate Series)(my wife and I are big fans of Stag’s Leap Artemis, which is a Cabernet Sauvignon so we thought this kit would be interesting to try - cost us $150 though so BETTER be good … ).You can view the PDF for this one by clicking here.
    4. Chocolate Raspberry Port (Limited Edition)(one of my readers has made this kit as well and said it was a big hit at Christmas)

    On the fruit side I currently have on the go:

    1. Blueberry Wine
    2. Crabapple Wine

    I have also completed a batch of Canadian Wheat Ale, which is quite tasty (need to tone down the carbonation though) and have a Mexican style beer waiting for it’s turn as well.

    So needless to say, our house has been a perpetual “fermentation zone” for quite some time now.

    In any event, I figured the wines that I make are pretty much what everyone else makes and man was I wrong!

    In fact, it wasn’t until a couple of years ago that I discovered that people actually make wine out of “non-grape” fruit as well. My ski patrol friend Brian, for example, loves making wine from rhubarb, choke cherries and raspberries and this is mainly because he both loves the wine he can produce and he gets his fruit for free (not a bad deal).

    Then there were the wines made from fruits I’ve never heard of including:

    1. Pomerac
    2. Otaheite Apple (Pomarosa, Malacca Apple, Plum Rose)
    3. Samarangense

    Next, there was Rob who emailed me today and mentioned that he was making wine from Ribena. Well … I guess all you need is sugar right?

    There’s Peter from the UK who loves to make wine from Beetroot (claims it went over quite nicely).

    >> By the way, he sent me the recipe if you’d like it. You can contact me by going to www.AllWineMaking.com/Contactus.html

    Then there’s Ian (also from the UK) who I think gets the award for pushing the wine making limits with his wine made from:

    1. Tomatoes
    2. Coconuts (ok … this one doesn’t sound toooo bad)
    3. Sycamore (maple)
    4. Prawns (yes … that’s right … prawns … as in … shrimp)

    Don’t believe me that you can make wine from prawns? Here’s Ian’s recipe and I double dare ya to try it!

    “You have to cook and blend 1lb of prawns in with flour, I found that half a banana helped with them . Get it to room temperature, add 2 lbs of sugar, leave them for a few days and then add the yeast. ” -> He did admit though that it took him a few tries to “get it just right”

    I could go on with a bunch more entertaining wine recipes that I’ve heard but I’ll spare you the details.

    It goes to show you though that once you feel you have your wine making skills honed and under control that you shouldn’t just limit yourself to just one style of wine as you never know what new and exciting flavours are waiting for you just around the corner.

    It’s just a matter of getting out of your comfort zone and trying something completely different.

    Now get out there and make some wine damn it! :)

    To your wine making,

    Scott
    www.AllWineMaking.com

    Rate this:
    2.5

    Syrah Vs. Shiraz

    Saturday, January 5th, 2008

    Home Wine Making Blog: “This is a story of two wines, Syrah and Shiraz, and how they both are the same, yet different, at the same time. On the surface it seems to be somewhat of an exercise in semantics, with their names being the only difference, but after taking a closer look it starts to become clear that there is much more to the story than just that.

    Syrah and Shiraz teaches us a lesson, one that illustrates how a grape’s environment and the way in which it is process can influence the outcome of a resulting wine.

    Any wine expert will tell you that Syrah and Shiraz are two varietal wines that are made from the exact same grape. If you analyze the DNA of each of the grapes used to make these wines you will find that there is no difference between them.

    Then Why The Two Names?

    The French refer to the grape and the wine they make from it as Syrah. Other parts of the world such as: South America, Australia, New Zealand, Canada and parts of the United States refer to the grape and the wine as Shiraz.

    But there is something more than just a difference in name. There is a difference in style as well. While both wines are very assertive, a Syrah tends to be a little more elegant and complex. It usually has more of a smokey, earthy character with flavors of plum and spicy pepper. A Shiraz on the other hand is more crisp and fruity, less layered with slight, jammy flavors of berry as compared to a Syrah. This is a very wide generalization of each wine, but even so it would be safe to say that if you tasted both wines side-by-side you would notice more differences than similarities between the two.

    So, Why Are These Wines Different?

    While the grape remains the same in each wine there is so much else that is different. The soil, the climate, the cultivation, and the fermentation all vary to make a Syrah a Syrah and a Shiraz a Shiraz.

    While different soils can not assert there own character onto a grape, they can guide the way in which a grape develops its own flavor. This is referred to as the terroir. The French vineyards are heavy in limestone which can hold moisture better and deeper than most soils. This forces the vines to get more of their nutrients from deeper soils. The result is a wine with more layered, complex flavors.

    The French are not allowed to use irrigation or fertilization on their vines either. This stems from governmental laws designed to keep the grape production limited. This leads to stressed vines with fewer berries, but with each berry packing more flavor.

    This is all in contrast to places like Australia, South Africa and New Zealand where Shiraz grapes are produced in sandy soils with plenty of fertilization and irrigation. The cultivation is abundant. This creates a wine with a more even character than a Syrah and with the ability to mature more quickly.

    The Syrah is also grown in France’s cooler climate. This lends to the plum-like, smokey character of this wine. This is in comparison to Shiraz which is grown in warmer climates which makes the wine more jammy and berry-like.

    Even the rate of fermentation plays some role in the flavor development of the wine. A Syrah is fermented more slowly so as to increase the time the pulp can stay on the fermentation. A Shiraz is fermented at a faster, more-normal rate which helps to make the wine, in general, more fruity.

    In Summary:

    So as you can see there is much more than just the grape when it comes to bringing a wine to life. While a wine’s character always begins with the grape. It ends upon many other factors, including the human touch. There are many other examples of how this is true, but none quite as clear as the dichotomy of the Syrah/Shiraz grape. It’s a clear example of how the New World wines compare with the wines of the Old World.”

    Rate this:
    2.8 (1 person)